Sunday Miscellany

There’s a theory that says a new century doesn’t really start until something shocking happens that shakes people up and completely changes their view of the world. The 21st century for instance didn’t actually begin for the western world until September 11th 2001. Similarly, the western world’s 20th century began 100 years ago today – April 15th 1912 – when the Titanic sank below the waves, taking the Victorian belief in man’s triumph over nature with it.

I don’t know if the theory could be considered “right”, but it’s interesting to think about.

Everyone’s going to be talking Titanic today, so that’s all I’ll say on the subject.

Idiot clients aside, I had quite an interesting Friday. For a while we’ve been employing a programmer from Brazil and as of a few months back we’ve been sponsoring him for a permanent residency visa (or whatever it’s called). Last week it finally came through, and by way of thanks he took us all out for lunch to a Brazilian barbecue restaurant in Subiaco.

Brazilian barbecue is pretty awesome. You sit around the table and they continuously bring you giant skewers of meat. If you want what’s on the skewer you signal so by turning a coaster-like piece of cardboard to the green side, and they chop some off onto your plate. If you’re not interested in this particular skewer you turn the coaster to the red side. They also load down the table with salads, sauces and sides, and the sides and skewers just keep coming until you’re too bloated to move.

Particularly good was the chicken wrapped in bacon, the cheese bread, the deep fried banana and (of all things) the barbecued pineapple. The Guaraná Antarctica was also great – like Red Bull mixed with Passiona – I may have to to track down a supplier.

It was a great way to spend a couple of hours, although by the end of it we all just wanted to go home and sleep. If I did have one criticism it was that the beef was rather rare – call me a philistine but I’m of the man cook meat with fire school of cookery and prefer my food not to bleed all over the plate while I’m cutting it.

I shall attempt to arrange a return visit with my carnivorous friends as a matter of urgency.

Now (as a complete non-sequiter) back in 1999 when Dave Faulkner and Kim Salmon were choosing a name for their musical collaboration and the album produced thereof Google was barely in spark in Larry Page and Sergey Brin’s eyes. This may explain why they selected “Antenna” and “Installation”. Fast forward the the hectic teens of the 21st century and you try Googling information on “Antenna” and “Installation”. I can guarantee you won’t find anything concerning Australian music until about page fifty.

The reason I mention this is for years I’ve been trying to identify a song off that album. I knew the name “Ten Four”, and knew that it was by an Australian collaboration that called themselves something like “Aerial”, but had absolutely no luck tracking it down. It wasn’t until a few months back that I began an intensive series of Google searches to try and crack the mystery once and for all.

I eventually (obviously) did it, but it took several hours of typing in various combinations of keywords and reading through reams and reams of pages about Australian musical collaborations. Making things even more complicated was the fact that the song isn’t “Ten Four”, it’s “10-4”, which again makes things more complicated than they have to be.

But now I have it! The information that is. I don’t have the song because it doesn’t appear to online anywhere. It’s not on YouTube or any other video sharing site I’ve tried, and the iTunes store doesn’t even acknowledge that Antenna ever existed. I rather suspect I’ll have to track down a copy of Installation on eBay if I ever want to hear the song again.

Ah well, such is life.

Gotta go clean the bathroom now. That qualifies as “such is life” as well…

Power Down

That’s a whole lotta Bach

Well, after yesterday’s (more or less) metal extravaganza, some relaxation is probably in order. So here’s some nice, soothing music with no mention of vikings, axes, pirates, blood, Gnaeus Julius Agricola or the Earth perishing in flames…

Bach – Prelude to Cello Suite No. 1
Vivaldi – Winter II Largo
Bach – Air on the G String
Bach – Jesu, Joy of Man’s Desiring
Beethoven – Moonlight Sonata
Pixies – Here Comes Your Man
Falling Joys – Lock it

Power Up

I’ve probably mentioned most of these tracks at some point or other, but I’m having a rough day at work and needed some pumping up, so here they are again…

Cro Magnon – Caledonia
Laibach – B Mashina
Tanzwut – Tocatta
Course of Empire – The Information
Amon Amarth – Valhall Awaits Me
Alestorm – Wolves of the Sea

Sure, after listening to all of those you’ll probably feel like punching someone, but that’s arguably better than wanting to fall asleep 🙂

The Head of Emily Kaye

The Dead Eyes Opened. The Dead Eyes Opened. The Dead Eyes Opened. The Dead Eyes Opened.

Ever since I first encountered the Severed Head’s classic proto-techno track Dead Eyes Opened as a teenager I’ve wondered if the narration was cut from the whole cloth or if it referred to a real murder…

Today, after many attempts over the years, I finally figured it out.

The spoken work component is from a radio broadcast of crime writer Edgar Lustgarten reading his account of what was known as the Crumbles Murder in which one Patrick Mahon murdered his mistress Emily Kaye in a beach cabin near Eastbourne, Sussex in 1924.

So there we go. One mystery down, so many to go…

Me China Mel Dancin’

My good friend Mel is dancing…

Doo-doo-doo-doo,
Yeah yeah yeah yeah-eah,

Yemen and his Igor photo me,
I’m on the phone, yous can each foresee,
Cool me down,
Rinse a mouse in front of me,
(front of me)
So that’s the way I felt then wa-ah-ah,
So we can eat a Hilton, la la la,
You’re so mean,
See there the melody,

Oh-wow-o-wow-ow,

Dance on the oars,
Cat fight in a handbag,
Yours, only yours,
A walrus tickle dance bed,
It’s no lie,
Lisa in the crown said,
Meh, anyhow,
Me china Mel dancin’

Oo-oo-oo-wow-o-wow,
Oo-oo-oo-wow-o-wow-ow-ow,
Oo-oo-oo-wow-o-wow,
Oo-oo-oo-wow-o-wow-ow-ow,

Me I’m flocking home giving up for stoats,
As I’m coming down I slip the ropes,
Cool me down,
The TARDIS taking over yeah,
(oh-wow-ow-wow-ow)
So that’s the way I felt then, wa-ah-ah,
So we can eat a Hilton, la-la-la,
You’re so mean,
See there the melody,

So come on,
Dance on the oars,
Cat fight in a handbag,
Yours, only yours,
A walrus tickle dance bed,
It’s no lie,
Lisa in the crown said,
Meh, anyhow,
Me china Mel dancin’

Dance on the oars,
Cat fight in a handbag,
Yours, only yours,
A walrus tickle dance bed,
It’s no lie,
Lisa in the crown said,
Meh, anyhow,
Me china Mel dancin’

Oo-oo-oo-wow-o-wow,
Oo-oo-oo-wow-o-wow-ow-ow,
Oo-oo-oo-wow-o-wow,
Oo-oo-oo-wow-o-wow-ow-ow,

So come on,
Dance on the oars,
Cat fight in a handbag,
Yours, only yours,
A walrus tickle dance bed,
It’s no lie,
Lisa in the crown said,
Meh, anyhow,
Me china Mel dancin’

Dance on the oars,
Cat fight in a handbag,
Yours, only yours,
A walrus tickle dance bed,
It’s no lie,
Lisa in the crown said,
Meh, anyhow,
Me china Mel dancin’

Sarah, Say it Ain’t So

Currently there’s a thread up on a board I frequent where people are sharing music via the wonder of YouTube. While perusing said thread I came across this piece by Nick Drake (who’s Nick Drake? Shame on you!)

While listening to it I couldn’t help thinking it sounded familiar. Then I realised why…

Now, maybe it’s just my tin ear. And maybe it’s difficult to construct a melancholy song around a descending scale without sounding like every other melancholy song constructed around a descending scale. And maybe it’s a tribute from Sarah Blasko to Nick Drake. But it really does seem a bit too close to me.

Say it ain’t so Sarah!

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