No, it Hasn’t

I was channel surfing last night and came across a man in a purple cape, sitting at a piano performing a mash up of Scarborough Fair and The Diva Dance from the Fifth Element.

It was not – as I initially thought – a scene from Liberace: Behind the Candelabra, but the semi-final of Australia’s Got Talent.

If that’s talent, I hope it’s not catching.

LATER: Ha! Found it! Weirdest damn thing I’ve ever seen on TV…

Musical Tuesdays – Theme Edition

Wow, I’ve actually managed to make a second Musical Tuesday post. Maybe this will last a while after all!

The first song for this week is Christmas Island by Washington State natives Lake. Also known as Island Song, keen eared listeners will recognise it as the end theme from possibly the best cartoon series ever, Adventure Time with Finn and Jake.

Even more keen eared listeners will realise that it’s not quite the same song as the end theme. The Adventure Time version has a whole bunch of altered lyrics – although you don’t get to hear too much of them, as the end credits only run for a verse and a half. If you’re interested in a complete comparison you can track the full version down – think of it as a challenge!

In any case, this version of the song is a sweet, lo-fi ballad with a touch of the 50’s to it, which is A-OK by me.

The second track for this week is another TV ending theme, this one belonging to 80’s sci-fi series Max Headroom. Those too young to remember the 80’s may be unaware of Max and his career trajectory which went from Pepsi spokes-thing to star of a cyberpunk TV series, to interrupting late night Doctor Who reruns with incomprehensible rants about Chuck Swirsky. In any case, I remember the TV series as being a greatly entertaining distopian extravaganza set “20 minutes into the future”.

It would no doubt look pretty dated now, but then Cyberpunk itself is dated. It was the 1980’s idea of what the 21st century would look like (much as Steampunk is the 21st century’s idea of the 19th century’s idea of the 20th century). It got a few things right, but a whole lot more things wrong. Cybernetic limbs for instance are rare, and not terribly good. There certainly is a “net” – but it’s not an exciting virtual reality world made up of vector polygons, it’s a place where people post videos of their cats. Corporations are  not – as yet – in charge of private armies of mercenaries engaging in prolonged gun battles through the city streets. Climate change has mitigated the chance of constant gloomy overcast and pounding rain, and neon signs full of Chinese and Japanese logograms are mostly limited to the areas immediately surrounding Asian restaurants.

But back to the music. This end theme apparently appeared on a only a few episodes, which meant that for years the only way I’ve had to hear it is the scratchy version I recorded straight off the TV onto an audio tape circa 1989 – which features the added bonus of an announcer talking about all the action coming up on a new episode of something called Paradise. But I recently stumbled over a copy that some kind soul has put up on YouTube. So slip on your mirrorshades and chill out to a great piece of 80’s synth that may or may not have been written by that dude from Ultravox.

Musical Tuesdays

So here’s a new thing I’ve been thinking about doing for a while to get me back into the habit of blogging, and hopefully resurrect the Wyrmlog from its current state of moribund sporadicity. Musical Tuesdays! Every Tuesday until I forget or get bored I’ll be highlighting two musical tracks that I think worthy of notice. Ideally one recent, and one from the past, but we’ll see how long that lasts.

So the first track I’ve decided to go with is the – as far as I’m aware – only notable hit from Texas natives Fastball – 1997’s The Way. The song is based on the true account of an elderly couple who set out one morning to attend a festival in a neighboring town, never turned up, and were discovered dead hundreds of miles away two weeks later – but it reinterprets this sad tale into a story of a couple who leave their lives behind to head out together onto the open highway into an eternal summer. The anxious verses describe their decision to leave and what happens to them on the road, but are resolved in a soaring, triumphal chorus, and the entire work has an enjoyable latin flavour as befits the song’s south-west origin.

The second track is Pizza Guy from Australia’s own Touch Sensitive. To be honest I don’t know much about the track or artist, except that I stumbled across it on late night radio and spent much of the next day trying to track it down. An electronic piece, it’s redolent of the 80’s and the works of Jan Hammer.

So there you go. Musical Tuesdays Issue One complete!

Chris Brown has Left the Building

Chris “I beat women for fun” Brown is apparently quitting the music industry. If I actually believed for a second that he’d stick to this I would issue a call for wild celebrations, but seriously, how long will it be before he’s making guest appearances on other shitty ‘urban’ tracks left right and centre?

In any case, I only mention this because it gives me an excuse to post one of the funniest YouTube vids I’ve seen in quite some time…

Urban polka is most definitely a concept whose time has come!

I’m So Very Sorry…

In the Isles of Japan,
There’s a place called Tokyo,
That’s where we wanna go,
To get away from it all…

Bodies in their pods,
Temples to the Shinto Gods,
We’ll be falling in love,
To the rhythm of a taiko drum,
Way down in Tokyo…

Matsudo, Machida
Oo I wanna see ya!
Yao, Yokahama
C’mon pretty mama!
Kyoto, and Edo,
Baby why don’t we go?
Down to Tokyo,
We’ll get there fast and then we’ll take it slow!
That’s where we wanna go,
Way down in Tokyo…

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