I would rather live on a train

Thanks – I’m fine,
But I’ve nothing to give,
But I just have to leave,
Enough – I would rather live on a train,
And now – I’m dying,
Cause I don’t want to be here,
I don’t want to be seen,
Enough – I would rather live on a train,

— On a Train, Yuksek

If you’re wondering why I haven’t been posting of late it’s because I’ve been feeling wretched, wrung out and on the edge of total burnout for the last few weeks. I really need some time to curl up into myself and completey ignore the world – happily I’ve arranged to take some leave in August, so I only have to hold out till then, which I think is just about doable. Just don’t expect me to be presentable, amicable or even sociable until then.

In the meantime there are a few things that need mentioning…

1: The Wyrmlog has, for some reason, stopped emailing me when people comment. So, if you’ve made some wildly witty and intelligent comment and are miffed that I’ve completely ignored it, that’s why. I only see your comments when I log in to make a post, and I haven’t been doing that lately. I’ll see if I can fix the problem when I have a minute (maybe September some time).

2: Went to Supanova with Bek and Paula. Quite fun, despite my current fairly desperate state of mind. Saw Rose McGowan and John Barrowman who were charming (see what I did there?) and hilarious respectively. The story about the understudy and the laxatives, oh my god! And Mel Brooks screaming “GET INSIDE! THEY’RE GONNA DO SOMETHING CRAZY!”. Great stuff!

3: It’s nice that Heron are trying to make their paracetamol tablets more palatable, but making them taste like a caramel vanilla milkshake seems somewhat misguided. Even I, who am fully aware of what a paracetamol overdose does to your liver (to wit, kills it, with negative subsequent consequences for your general wellbeing) am tempted to chow down on a big pile of them just because they taste so damn good. I can’t imagine how the uneducated hoi-poloi react to such temptation!

4: I may well be completely out of the loop, but I was listening to the radio on Sunday when a song came on that from the very first bar completely grabbed my attention. I thought at first – based on the vocals of the first verse – that it might be a new Megan Washington track, but was disavowed of this theory when the chorus cut in, and so hastily transcribed some lyrics into Google to determine exactly what I was listening to. It turned out to be 24 Hours by Sky Ferreira – an artist that I was peripherally aware of but had never paid much attention to. Well, I’m paying attention now. The song is a great electro-pop track that I’ve listened to so often over the last three days that it’s now stuck in my head to the point of nausea, but I’m still looking forwards to listening to it on a more moderated schedule once the neural burn-in repairs itself. Here it is anyway, so you can laugh at how execrable my musical tastes have become…

5: Saw The Double on Sunday with Rebecca. A very strange, but very stylish and enjoyable movie. Directed by Moss from The IT Crowd you know. If you like thought provoking sci-fi, urban dystopias and crazed, shovel wielding priests then definitely go check it out.

Hmmm, I think that’s about it for now. There was probably some other stuff I wanted to mention, but I’m too scatter brained from stress and fatigue to think of it. Go and make your own damn entertainment.

Musical Whenever – Angels and Beads

Yesterday morning Doc Neeson of the Angels finally lost his battle against brain cancer. I can’t really add anything to the outpouring of tributes except to say he was a true great of Australian music and post one of his best songs. No, not Am I Ever Gonna See Your Face Again (NO WAY GET… ahem), but the equally wonderful No Secrets from 1980. Get a load of that riff!

Thanks Doc!

On and off for many years now I’ve been hoping onto the net and trying to find any evidence that Perth’s own Rosemary Beads were anything but a figment of my RTR addled 90’s imagination. They got played all the time, and I even had the privilege of seeing two thirds of them live at a lunch break concert during my short lived university career (they were great, even if I seemed to be the only person there who was actually paying any attention), but they seemed to be completely invisible on the web. Today they popped back into my mind, so I decided to search again, and bang! Up popped their biggest hit, 1994’s beautiful Breath.

I also happened upon a site where you can download all three of their albums, which I shall be doing as soon as I have the opportunity.

Well, back to work…

Gigantic

So there was just a new Apple ad on TV. One which grabbed my attention with an unmistakeable baseline…

My first reaction was “Holy crap! That’s Gigantic!! Awesome!”. My second reaction was “Uh… do Apple realise what that song is actually about…?”

If I may be allowed to be blunt, the song Gigantic by the Pixies is about a cock. A big black cock. A gigantic black cock.

I don’t know if that’s meant to be a hint about some kind new Apple product, but if it is, I don’t think I’ll be buying.

Good ad though.

Faith, Cheese and Anime

The old black dog is biting a bit hard at the moment, hence the general lack of updates. But I thought I’d jump in and post this remarkable chart…

The Evolutionary Chart of Religion
The Evolutionary Chart of Religion

Click to enlarge and all.

You obviously can’t sum up the entire scope of human spirituality in one simple diagram, but it’s still a fascinating attempt.

From the sublime to the ridiculous, here’s a few things I promised Paula I’d link…

* Where’d the Cheese Go?
* Smoke Week Every Day

I’m so sorry…

Later: Oh! I also promised to link these stories from Hyperbole and a Half. No need to apologise for these, they’re great! đŸ™‚

* Dogs don’t understand basic concepts like moving
* Wild Animal (The Simple Dog goes for a Joy Ride)

Musical Tuesdays – Tom Cruise’s G-String

Three weeks without a Musical Tuesday. Dreadful!

So I happened to catch the start 0f the Tom Cruise/Jamie Foxx vehicle Collateral the other week and was extremely impressed with the version of Air on the G String that featured.

Air on the G String is a 19th century arrangement by August Wilhelmj of part of Bach’s Orchestral Suite No. 3 in D major. By messing around with the key of the piece Wilhelmj was able to play it entirely on the G string of his violin, which is kind of unfortunate because if he’d made it fit on the A string it’d have a lot less potential for awful puns.

In any case it’s a wonderful piece and the Klazz Brothers somehow manage to turn it into jazz without damaging it in any way.

And while discussing the Air, one can’t go past Procul Haram’s A Whiter Shade of Pale (1967). The entire song draws from Bach, but the memorable organ line leans particularly heavily on the Air. The song was a massive hit and was voted joint best British pop single since 1952 in 1977 (along with Queen’s Bohemian Rhapsody).

So that’s it for this week. Enjoy!

Musical Tuesdays – Soundtracks

I bought a new TV.

This isn’t as much of a sybaritic indulgence as it may seem, as my old TV was on it’s last legs. And when I say ‘last legs’ I mean that if I wanted to watch something I had to subject myself to the following baroque procedure…

1: Turn on the TV.
2: Wait for around 12 minutes as the screen changes via almost imperceptible stages from black to bright white.
3: Enjoy 15 minutes of an image appearing on the screen for half a second, followed by a loud ‘crack!‘ sound, and the screen going to black for ten seconds before the cycle repeats.
4: Once the cracking has stopped and the picture stabilised, turn the TV off, because there’s no sound.
5: Turn the TV back on, which will hopefully restore sound.
6: Actually watch any TV.

While I’m not the most demanding guy when it comes to creature comforts, having to turn my TV on a good half hour before I want to watch something was getting kind of wearing, so I splashed out and bought a brand new unit. A 40 incher would you believe, which is mostly because I screwed up the maths and thought it was somewhat smaller than it actually turned out to be.

Such a large screen has taken a bit of getting used to – more than once I’ve caught it out of the corner of my eye of an evening and been momentarily shocked into thinking that Adam Hills was actually in my apartment. But now that it’s settled in and gathering a fine patina of dust, it’s all good.

As I was making such a large purchase I decided to spoil myself with an add on and bought the box set of Misfits as well. Misfits has been one of my favourite shows for ages, but I’d only ever seen the first two seasons. I knew of course that the subsequent seasons aren’t meant to be as good – in no small part due to the absence of Nathan – but decided to give them a go anyway. To date I’ve watched all of season three, and will shortly move on to season four.

So, what did I think?

Season three, in my considered opinion, was OK. It’s definitely not the same show. It suffers for the lack of Nathan and the new powers everyone ends up with are really rather naff. There’s nothing that can be described as a story arc across the season and the whole thing lurches around from episode to episode with a complete lack of point or drive.

There’s also lots and lots of death. In the first two seasons someone getting killed was a big deal – much of both seasons revolved around concealing the bodies of the characters’ inadvertent victims. But this season people are dropping like flies and no one really seems to care. I suspect it’s actually deliberate self-parody, but even if that’s the case it’s a big change from the serious drama of the first two.

That being said, there’s a lot of entertainment to be had. Newcomer Rudy is both a terrible, terrible human being and a riot. The elements of self parody, although jarring, are fun. I was also surprised at how moving I found the conclusion of the Simon/Alisha/Super-Hoodie story arc in the final ten minutes of the season – it was like a sudden return to the tone of the original show, and was really rather epic.

So, what has this to do with Musical Tuesdays? Well, soundtracks my friends! Soundtracks!

Here’s to my mind the best bit of music from Misfits

Not bad eh? When I first heard it I wondered if it was by Murray Gold, but it’s actually by Vince Pope.

On the subject of Murray Gold, here’s one of his best pieces, from the soundtrack of Doctor Who.

For my money the best bit is 1:40 to 2:37, but frankly the whole thing is pretty wonderful.

Well that’s it for this week. I have Titans to build and lightbulbs to change!

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