This is How the World Ends

According to the always entertaining and informative Jason Colavito there are people out there (OK, one person) basing their view of human history on not just a literal interpretation of the Bible, and not just a literal interpretation of the books left out of the Bible, but on game supplements for Vampire: The Masquerade. Which they apparently think are genuine historical documents.

That’s it. I’m out. Build me a rocketship because I’m heading to Mars to start human society over again.

Eurovision 2015. Why are we here again?

So, it’s 2:55 in the morning, and rather than being tucked up nice and warm in bed I’m sitting here huddled under my doona watching SBS. Why you ask? Because it’s Eurovision! And not only is Australia in the contest for the first (and let’s face it, probably last) time ever, we can vote for the first time ever! There’s no way I’d miss this!

I haven’t researched any of the acts and I missed the semi-finals, so I’m going in completely cold. The only song I’ve heard is Guy Sebastian’s one (you can’t get away from it) and while there’s nothing wrong with it, it’s certainly not any kind of stand-out. So, let’s see (or hear) what’s to be seen (or heard).

My standard rating system will apply. A score of 1 to 5 (or 0 to 5 for particularly heinous atrocities) with an extra point for anyone who doesn’t sell out their cultural heritage by singing in English. Here we go!

Good lord there are some weird ads on at 3:00am!

Ah Beethoven! That’s some class at least.

Good morning Julia! And that other guy.

Building bridges eh?

Oo! A mysterious object! I could be mean and insensitive here, but I won’t be.

Ah, a tribute to Udo Jürgens. That’s nice.

A drag queen rising out of the floor. Could you get any more Eurovision?

Miming hosts. Classy.

I was wrong. A flying drag queen is much more Eurovision than one simply rising out of the floor.

Ah. Singing children. I know they’re the Vienna Boy’s Choir, but anyone playing Eurovision bingo has just got a free square.

And a rapper. This just gets better and better!

It’s the Olympics!

Hehe! Big cheer for Australia 🙂

Is that Celine Dion for Greece?

You know, it’s naff as hell, but occasionally Eurovision does provide a little bit of that everyone getting together and celebrating their countries in peace and brotherhood feel that it was actually founded for.

Hello!

Seems to be some heckling. Or possibly some geese have snuck into the hall?

1 Slovenia: Maraaya – Here For You
It’s headphones ago-ago from Slovenia! Oh wow, she’s nasal isn’t she? And someone in the background is attempting to channel Peter Garret. Seems like an OK song, but nothing to really write home about. Ah, the dancer is now doing nothing but air violin. Flashy lights! No wonder the dancer was having a seizure. A decent effort. 3/5

2 France: Lisa Angell – N’oubliez Pas
Ah France! You can always rely on France to sing in le français rather than selling out and going with English. A ruined post-war scene. That’s cheerful. Looks like we’re getting the standard political stuff early. Oo! Doves! Shoot them for food children! Hmmm, this ain’t bad really. International Rescue on drums! That’s a neat way to get around the restriction on performer numbers. Three out of five, plus one for singing in French. 4/5

3 Israel: Nadav Guedj – Golden Boy
It’s N*Sync! Extra points for some Middle Eastern grooves. Minus points for “Before I leave let me show you Tel Aviv”, and gratuitous crotch thrusting. Key change! OK, I guess. 2.5/5

 4 Estonia: Elina Born & Stig Rästa – Goodbye To Yesterday
I will happily support any act that contains someone named “Stig”. An instrument?! Played by a singer?! In Eurovision?! Oo, off key! Fake shadows! Inoffensive. 2.5/5

5 United Kingdom: Electro Velvet – Still In Love With You
The UK has a terrible habit of trying way too hard to win Eurovision, and then tripping over their own feet. I don’t think I’ll ever recover from the horror that was Scooch. Let’s see if they can do any better this time around… Hmmm, going retro I see. Light up suits! And break dancing! And scat! I don’t think her voice is really carrying it. Actually not a bad effort given past attempts. 2.5 plus 1 for singing in English. 3.5/5

6 Armenia: Genealogy – Face The Shadow
Genealogy eh? If there’s not a genetic inheritance diagram somewhere in this performance, I shall be deeply disappointed. Operatic! With people wandering around moodily. Apparently one of them is Australian. Ah, there we go, kicking in a bit. Hmmm, a bit too complex really. Would probably be decent if there were less singers. Continents do not count as inheritance diagrams! 2.5/5

 7 Lithuania: Monika Linkytė and Vaidas Baumila – This Time
Now this seems to have some potential. And some banjo. Oo! Controversial kissing! You know, if the music was mixed better I think this could be a pretty good song. Best so far! 4/5

8 Serbia: Bojana Stamenov – Beauty Never Lies
“Beauty Never Lies”. Channeling Keats are we? To quote the great Terry Wogan, she’s a well set up lump of a girl. Spooky masks! And posing! This isn’t half bad. Costume change! Mark off your bingo cards! Hipster! They’ve got a hipster!  Not bad! 3.5/5

9 Norway: Mørland & Debrah Scarlett – A Monster Like Me
Monster eh? Maybe it’s a Lordi rip off! Hmmm, maybe not. Maybe Lorde though. Very moody. Ah, there’s the drums! Certainly the best duet so far. 4/5

 10 Sweden: Måns Zelmerlöw – Heroes
It would be nice if this was the Bowie song, but Eurovision rules prevent it. Stick people! Clever effects! Here comes the drop… hmmm, a bit repetitive. Could use a bit more base. Ah! Big scary face! Pretty good 4/5

11 Cyprus: John Karayiannis – One Thing I Should Have Done
It’s Elvis Costello! For a ballad this is surprisingly good. I wonder if it’ll kick in? Apparently not – brave decision! Reminds me of that song by that band from years ago. What was it? More than Words, that’s it! Simple, but really good! 4.5/5

 12 Australia: Guy Sebastian – Tonight Again
Well here we go! Hooray, hooray, Aussie Aussie Aussie and so forth. Let’s hope Guy doesn’t embarrass us. You know, say what you like about Guy Sebastian, but he has a hell of a voice. Another hipster! And street lamps, for some reason. This is actually a pretty good track, it has a good beat, and the build up to the chorus is particularly clever. Maybe we have a chance? 4.5/5

13 Belgium: Loïc Nottet – Rhythm Inside
Plucky little Belgium. Performers all in white, tick off another bingo square! Not bad so far. What is with that dancing? Sparse, but catchy. I like it! 4/5

14 Austria: The Makemakes – I Am Yours
I presume this group have named themselves after the dwarf planet, rather than the chief god of the bird man cult of Rapa Nui. Although in Eurovision land, who knows? Actual instruments! This is pretty good. Ah! FIRE!! FIRE!! Your piano is on fire!! What are you doing!? Don’t keep playing man! RUN!! 4.5/5

All these good tracks! I may have to recalibrate my rating system…

15 Greece: Maria Elena Kyriakou – One Last Breath
Greece has a history of rather bland entries that nonetheless do rather well. Lets’ see. Is that a Stargate? Is that Celine Dion? Ah, the reliable old piano ballad. Evanescence light. I said it’d be bland didn’t I? The Stargate opens and there’s a key change! Ended better than it started, but still pretty meh. 3/5

16 Montenegro: Knez – Adio
Finally! A non-English song that isn’t from France! Extra points for the Montenegrans! Stars and violins. Nice beat. Frozen dancers. Now this is what Eurovision should be about! Ethnic influenced music and completely incomprehensible lyrics! Moody and dark. I like it! Folk dancing! 4.5/5

17 Germany: Ann Sophie – Black Smoke
Germany is usually good value. Searchlights? This is well sung, but kind of bland. 3/5

18 Poland: Monika Kuszyńska – In The Name Of Love
Sadly not a U2 cover. A white piano! Keep ticking off those boxes bingo fans! I wonder if it’ll catch on fire? A bit bland. Is that archive footage from before her accident? I can’t decide if that’s inspiring, morbid or simply exploitative. Nothing special here I’m afraid. 3/5

19 Latvia: Aminata – Love Injected
Do they have potato? A giant red, structural dress. OK. Woah, that’s one hell of a voice! Now, this is also what Eurovision is about – incomprehensible weirdness and hand dancing. 4/5

20 Romania: Voltaj – De La Capat/All Over Again
Nice try Romania, but if you want bonus points from me, you need to sing the whole damn thing in your native tongue! Although you do score a few points for having Ming the Merciless as your lead singer. This isn’t bad. Reminds me of U2 a bit. Nice. 4.5/5

21 Spain: Edurne – Amanecer
Fully non-English. Huzzah! You know, there’s not enough wizard robes in Eurovision this year. I notice hers is red, marking her as neutral, although she needs more fake tan to cosplay as Raistlin. Oo! Costume change! You know, I quite enjoyed that! 4.5/5

22 Hungary: Boggie – Wars For Nothing
It’s a tradition in Eurovision for someone to sing a song about how horrible war is, and how we should all just get along. It will probably be in poorly phrased English too. Oo! A gun tree! Hmmm, pretty much what you’d expect. Good message, dull song. 2.5/5

23 Georgia: Nina Sublatti – Warrior
Well, at least someone is channeling Lordi. Lightning and shoulder pads! So much smoke you can hardly see her! Hilarious! I never thought I’d say this, but she could do with some backup dancers or something. Just standing there in the middle of the stage is kind of boring. Giant eyes! Interesting attempt, but not ultimately successful. 3.5/5

24 Azerbaijan: Elnur Huseynov – Hour Of The Wolf
By this point in the contest we’re all looking at the clock, and hoping that something will happen to cancel the remaining acts so we can get the voting over and done with. Having them eaten by wolves would be something of a mercy. Ah, now this is more like Eurovision! Guy sings ballad while couple in weird costumes cavort about the stage. Nothing special, but nothing terrible. 3/5

25 Russia: Polina Gagarina – A Million Voices
After last year’s boo-ing it’s probably only to be expected that Russia would try for something positive and uniting. Of course it’s just as likely that the million voices are those of pro-Putin trolls on the FSB payroll. Here in the background we see the black hole of Russia, sucking in human rights and democracy! Good song though! 4/5

26 Albania: Elhaida Dani – I’m Alive
This late in the show it’s amazing that anyone’s alive. Hmmm, this is OK, but nothing stunning. 3/5

27 Italy: Il Volo – Grande Amore
And finally, plucky little Italy brings it home with the fourth of the night’s non-English songs (I’m still counting you out Romania!). Winners of the San Remo song contest. Ah, they seem to be one of those pop-opera groups I find so annoying. Horses! Why have actual smoke on stage when you can put in on the screen? Competent, but nothing really special. 3.5/5

So that’s that then! Now, who am I going to vote for…

OK, after much thought I’ve decided that I enjoyed Romania the most, even though they didn’t stick to Romanian. I could cheat and vote multiple times, but I won’t. Eurovision voting is a sacred trust!

So, that’s the songs done with! Now we get the traditionally naff performance that takes up the voting period. What will it be this year? Dancers? Views of the Alps? Singing frogs? (I’m looking at you Greece!). Ah, it’s drums! They’re pretty good.

Bridges! They’re bridges! Amazing!

That guy with the sledgehammer looks like a happy chappy.

Is that the theme from Dallas?

And Conchita returns while they tally the votes.

OK, let’s do this! It would be nice if Australia won – the novelty factor combined with our political neutrality and a pretty decent song give us a chance – but I’m not holding my breath. Russia could well romp it in.

Arrgh! I don’t know how much longer I can stay awake!

Well, Italy’s doing well.

Suzy! Get your act together!

Looks like a three horse race between Italy, Russian and Sweden.

Get on with it Azerbaijan!

We seem to be getting votes from most countries. Good!

Estonia! You’re letting the side down!

Eight points! Thank you Denmark! I wonder how many of those came from the royal palace?

And another eight from Switzerland! Was that you Matt? ;D

Woohoo! Twelve from Sweden! Thank you! 😀

Ah, it’s Lee Lin Chin.

Twelve from Austria! I wonder if some Austrians got confused? 🙂

Thanks Hungary! Eight points!

Thanks Nigella! Ten points from the UK!

Get it together Georgia!

Eight points from the Netherlands! Thanks!

And another Eight from Poland! Thank you!

Looks like it’s going to be between Sweden and Russia.

San Marino gets a vote? Cool! And they gave the UK some much needed points. And another eight for us, thanks!

Sweden probably has it, but Russia is still in it with a chance!

Thanks Iceland! Eight points.

Well there we are! Sweden! What did they sing again? Oh, the stick figures and the big scary face! Well done!

Ten points from Norway! Thank you!

Portugal again.

Estonia again.

Georgia again.

And there we go! Sweden wins, Australia comes fifth. I’m happy with that! And now I’m going back to bed! Goodnight all! 🙂

On the Superiority of Cylindrical Equal-Area Projections

An ignorant American cartography professor and Apple-Maps developer was teaching a class on Gerardus Mercator, known DST advocate. “Before the class begins, you must get on your knees and worship Mercator and accept that he was the most highly-evolved cartographer the world has ever known, even greater than James Gall and Arno Peters!” At this moment, a brave, logical European Redditor who was a long-time contributor to sporcle.com and understood the superiority of cylindrical equal-area projections stood up and held up a globe. “What is the largest continent, pinhead?” The arrogant professor smirked quite Euro-centrically and smugly replied “Greenland, you stupid pleb! Can’t you see how much larger it is than Africa?” “Wrong,” said the student, and drew a perfect circle encompassing Greenland (which isn’t even green smh), “if Greenland is so big, how come there are more people outside this circle than inside?” The professor was visibly shaken, and dropped his chalk and copy of Nova et Aucta Orbis Terrae Descriptio ad Usum Navigantium Emendate Accommodata. He stormed out of the room crying those distorted conformal Mercator tears, his world collapsing around him. There is no doubt that at this point our professor, Alphons J. Van der Grinten, wished he had received a European education and become more than yet another distributor of lies in our flawed education system, and was kicking himself for never noticing that India has a greater north-south extent than Finland. The students applauded and all subscribed to /r/mapporn that day and accepted the Peirce Quincuncial projection as the coolest projection ever. There was a school-wide renouncement of outdated colonialist maps, and south-up maps (like the ones they definitely 100% use in Australia) were hung up across the northern hemisphere. God himself showed up and enforced geography as a mandatory subject in schools nationwide. The professor lost his tenure and was fired the next day. He committed suicide and his body was tossed into the Mariana trench. And that student’s name? Harry Beck, creator of the London Tube map.

(Not mine, but so good I had to share!)

Noli Timere Messorem

We’ve lost one of the greatest authors, philosophers and human beings of our time.

Sir Terry Pratchett, renowned fantasy author, dies aged 66

When I heard the news this morning I felt like I wanted to make some grand gesture as a tribute. But then I realised that the core message of Terry’s work is that we should all do our utmost to be decent human beings. So be particularly decent to each other today people.

Tunnel Dweller

For the last couple of weeks I’ve been spending much of my time wandering the Moscow Metro system.

Not literally of course. I’ve merely been studying the crap out of it in order to produce a (hopefully) really good English Metro 2033 map.

I imagine there are plenty of really good Russian maps, but none of them appear to have been translated. All of the English ones I’ve been able to locate are sub-par at best. This situation could not stand, so I trawled the net for info, spent what seems like hours on Wikipedia and Google Translate, learned to read Cyrillic (sort of), and put together this miracle of rare frickin’ device.

Moscow Metro circa 2033
Behold its Majesty!

I’ve based it on the Metro as it was in 2002, since that’s when the first book was published. The Metro has been expanded since then but I’ve only included new lines and stations only if I can find evidence they’ve been mentioned in the series. Information from the computer games has been included only where it doesn’t conflict with the novels. I scraped together what information I could from the books that haven’t been translated into English and threw in a grid and index to make locating stations easier. Finally I included the original Russian names and various translations in the index, so no matter what version of the books you’re reading you should be able to find the stations you’re looking for.

People on Reddit seem to like it, which is all I can really ask for 🙂

Meanwhile in another universe…

“Upon this very stone which you see here, knobbly and unadorned, the letters that The West reported may still be read, if one has the strength of will to approach the Coventry Markets. That I have done, and this I have read,

Develop North Australia, embrace multiculturalism and welcome short term foreign workers to our shores, To benefit from the export of our minerals and ores

The change in the wizard’s voice was astounding. Suddenly it became menacing, powerful, harsh as stone. A shadow seemed to pass over the high sun, and the porch for a moment grew dark. All trembled and the Elves stopped their ears.

“Never before has any voice dared to utter such unbelievable garbage in Imladris, Gandalf the Grey” said Elrond, as the shadow passed and the company breathed once more.

From VDNKh to Pobedy Park

I finished another of my Christmas books, the Russian sci-fi novel Metro 2033 by Dmitry Glukhovsky yesterday. For those not in the know – as I was not until Helen mentioned it in an email a few months back – it’s a post-apocalyptic story set among survivors of world war three inhabiting a rebuilt society (of sorts) in the Moscow Metro system.

The setting is fascinating. Each station (the inhabited ones anyway) is its own town with its own government, customs and specialities. Some stations have banded together to form wider alliances, such as the Hansa who regulate trade throughout the system via control of the Circle line, the Communists who have taken almost complete control of the Sokolnicheskaya line, the neo-nazi skinhead Fascists who control a major interchange, and the mysterious Polis beneath the heart of the dead city whose inhabitants are said to live almost as well as people did before the war. Bandits, mutants, gas pockets, seeping radiation and worse things make travel between stations difficult – traveling from one end of the system to the other can take weeks, in contrast to the couple of hours it took back in the days when the trains ran. The surface is uninhabitable, plagued by dangerous creatures and lingering radiation that makes going outside without protective gear a death sentence. And even with a gasmask and environment suit the surface can only be braved at night – after decades underground the survivors’ vision has become so sensitive that the sun would instantly blind them.

As is traditional for such settings the story is that of a quest. The main character, Artyom, must leave his home station of VDNKh – under seige by terrifying mutants from the surface known as ‘Dark Ones’ – and deliver a message to Polis in the hopes of saving not only his home, but the entire Metro. We follow him on his dangerous journey and get to see the Metro and its inhabitants through his eyes. It’s a damn good adventure story, so good in fact that it’s sold over 500,000 copies in Russia alone and spawned a franchise with a sequel, stories by other authors, and two computer games.

That’s the good stuff. The other stuff, well…

The prose is not great. With a few exceptions it’s slow, pedestrian and stilted. Dialogue between characters is awkward and in some places so forced that you could envisage it being read off an autocue. A random example…

He spoke totally without accent, his pronunciation was no different than Artyom’s or Sukhoi’s. That was very strange – hearing pure Russian speech from such an unusual being. Artyom couldn’t shed the feeling that this was some kind of farce and the narrow-eyed man was only moving his lips while the bearded guy or the man in the leather coat spoke from behind him.

‘I shot one of their officers,’ he admitted reluctantly.

‘Well, good for you! You’re just the kind we like! That’s what they deserve!’ the man with the high cheek bones said enthusiastically, and the big, dark skinned guy who was sitting at the front turned to Artyom and raised his eyebrows respectfully. Artyom thought that this guy must mispronounce words.

See what I mean?

Given the book’s great popularity in its native country I suspect that this is all down to a quick, by-the-numbers translation by someone familiar with English on an academic or business level but with limited exposure to the language in a literary or informal setting. Which is a real shame as the story deserves much better.

In addition to being dull and stilted the translation has other issues. The different stations are highly important to the plot, but their names are mostly left untranslated. This makes it hard to get your head around the Metro as every location is a random string of syllables, completely bereft of meaning. Coming up with an English name for each station would have gone a long way towards both mentally navigating the Metro and creating atmosphere. ‘Sparrow Hills’ for Vorobyovy Gory,  ‘Clear Ponds’ for Chistye Prudy, ‘Mir Avenue’ for Prospekt Mir. At the very least ‘skaya’ could have been cut off the end of the names and either rendered as ‘Station’ or left off entirely. Alekseyev and Oktyabr are easier to get to grips with than Alekseyevstraya and Oktyabrstraya for instance.

And while we’re on the subject of station names, the map provided in the book is horrible. A bunch of stations important to the plot aren’t even labeled! Try and find Sukharevskaya on it, I dare you! I had to resort to looking a map up on Wikipedia to figure out what the hell was going on half the time. In addition to not including vital information for understanding the text, it does include information that really should be left to the reader to discover by actually reading the text. For the sake of avoiding spoilers I won’t elaborate, but it would have added a real sense of exploration to the story if the map started out limited to just what Artyom knows and you have to fill it out mentally along with him as the plot progresses.

Oh, and ‘Artyom’. Couldn’t that have been rendered as ‘Artie’ in non-formal instances?

While reading the story I was often pulled out of the action by thinking about how I’d rewrite certain passages. In fact, I think I’ll have a go with the example from above…

He spoke without an accent, his pronunciation was no different to that of Artie’s or Uncle Sukhoi’s. It was strange, hearing pure, unadulterated Russian from such an unusual looking individual. Artie couldn’t shake the feeling that his rescuers were playing some kind of joke, and that the narrow-eyed man was moving his lips while the bearded man or the guy in the leather coat spoke instead.

‘I shot one of their officers,’ he admitted reluctantly.

‘Good for you!’ enthused the man with the high cheek bones. “That’s what they deserve. You’re the kind of guy we like!”. The big, dark skinned man at the front of the cart turned and raised his eyebrows in respect. ‘Surely’ thought Artie ‘This guy can’t speak proper Russian?’.

Now I’m not saying it’s Shakespeare, but I like to think it’s better than the 0fficial version.

Anyway, translation issues aside it’s a great book and well worth a read if you’re into post apocalyptic fiction. Check it out, and be sure to come back regularly for my chapter by chapter unauthorised re-translation!

(Just kidding 🙂 )

Deus in Machina

Shocking isn’t it? I say I’ll start updating again, and then complete silence for weeks. I’ll claim the psychological shock of returning to work combined with the first day of said work coinciding with the hottest day in 18 years – 44.4º C to be exact (about 112 in the old money), which is the kind of temperature that requires the better part of a week to get over no matter how mild the subsequent days may be by comparison.

In any case, I survived both the resumption of the daily grind and mother nature’s seeming determination to kill me and it’s probably time I made some kind of update. So here I am.

Books. I have now finished some of the books I got at Christmas, in addition to The Martian which I devoured in under 12 hours. The latest Peter Grant novel for instance, Foxglove Summer. It’s quite a different beast to the previous installments as it sees PC Grant leave the familiar environs of London for the open countryside. Not to fear however, things out there are just as strange as in the big smoke – maybe stranger. Unless I’m mistaken it’s the longest novel in the series so far, but it doesn’t seem long – it flows along as enjoyably as any of the other books.

If I had one complaint it would be that it ends rather abruptly with something of a deus ex machina (or perhaps more accurately deus in machina). I have to wonder if Ben simply couldn’t stop writing and his editors had to cut him off. In any case it’s well worth a read and a worthy addition to the series.

The second book is Graham McNeill’s Gods of Mars, the conclusion of his Adeptus Mechanicus trilogy. While quite good, I feel that it’s not quite up to the standard of the previous two entries (Priests of Mars and Lords of Mars). Graham had a lot of balls in the air at the end of Lords, and it seems as if he wasn’t quite sure to do with them all in the concluding volume. As a result the various plot lines kind of smash together in an uneven fashion to bring them all back under control. That said, the characterizations are still great, the dialogue enjoyable, and a variety of Xenos we hardly ever get to see pop their heads up for a brief moment in the sun, which is always fun.

One thing I must take Graham to task for however is the sneaky references he keeps slipping in. Honestly, it’s like he has some kind of strange disease. I can accept for instance that the Imperium might well rescue and refit some burnt-out battlecruisers found drifting near the shoulder of Orion. And it is in fact logical that a cadre of weaponised hunting hounds (which are lean and athirst) might be named Tindalosi. But an ancient Adeptus Mechanicus scrying device named a Mars Volta? Seriously Graham, seek help before it’s too late! ;D

In addition to reading books, I went to see The Imitation Game with Rebecca and Dom. It was really, really good. Historically inaccurate on a number of points, but a really excellent movie. I was particularly impressed with the way they included explanations of cryptological concepts like cribs and cillies into the plot without having to load the viewers down with exposition. Although not 100% accurate it’s a fitting tribute to one of the most brilliant minds of the 20th century, and if you’re at all interested in Turing and Enigma then you should go and see it immediately.

OK, that wall of text should make up some for my lengthy absence. Now go and make your own damn entertainment! ;D

The Laxatives were Super Effective

Terrible insomnia last night. When I finally did get off to sleep I dreamt that I was hand crafting miniature figures of characters from Little Orphan Annie, a project that also (for some reason) required a miniature replica of Bassendean Oval decorated with a gigantic beer advertisement. I can only blame too much cheese.

Anyway, you may (or may not) have noticed that there hasn’t been much activity on the Wyrmlog throughout the last month. This is because – in addition to the usual stress in the run up to the festive season – I was dealing with a potentially serious health issue. Without going into too much hideously organic detail I was suffering a series of intestinal upsets allied with strange abdominal pains, which led my doc to order a full endoscopy and colonoscopy, which for the uninitiated means sticking cameras into both ends of my poor, abused body to try and figure out what the hell was going on.

Now of course the worst case scenario was cancer…

And while based on my symptoms there was nothing to particularly indicate cancer there was nothing to not indicate it either. So until I got the tests done I was in a state of some nervousness. By which I mean only just staving off blind, screaming panic by sheer effort of will, which left very little time for such things as writing blog entries.

So, I spent the weekend before Christmas not eating and downing vast quantities of various nasty liquids and pills that did a quite effective job at aggressively clearing out the entire length of my digestive system, and on Monday went in to hospital to have cameras go adventuring where no cameras had gone before. These – naturally – turned up nothing more than a bit of general inflammation and mild diverticulitis which while not completely explaining my abdominal pains managed to rule out any nefarious malignancies about to drag me into an early grave. Thank God.

Since then I’ve been regaining my mental equilibrium courtesy of turkey sandwiches (perhaps the most reliably enjoyable aspect of the holiday season), Minecraft and a number of really excellent books I got for Christmas. I can particularly recommend The Martian by Andy Weir which I received at about 12:30 on Christmas day and finished at 11:30 the same night, having been quite unable to put it down. I’m also working my way through The World of Ice and Fire, which Rebecca and Dom kindly got me, knowing my penchant for getting way too into the background detail of fantasy settings.

(On that note, could it be any more obvious that the Andals are Anglo-Saxon expies? “The Axe”, c’mon! And what’s up with all the Lovecraft references? Oh, and a proper map would be nice. You know, this really sounds like I don’t like the book – nothing could be further from the truth, it’s just that fulsome praise is boring to both write and read, so I’m merely nitpicking at a really excellent work. Go and buy it!)

Anyway, so that’s what’s up. I was worried I might die, but it turns out I probably won’t any time soon. I hope you’ll all agree that this is a good thing 😀

PS: World Without End was pretty good, wasn’t it? Nora von Waldstätten, wowee! Although why did they make the Tower of London look nothing like the actual Tower of London?

PPS: It’s too hot today!

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